Andrew Shanken is currently the Director of American Studies, Faculty Curator of the Environmental Design Archives, on the Faculty Advisory Committee at the Townsend Center for the Humanities and the Global Urban Humanities at the University of California Berkeley. He has a joint appointment in American Studies. His most recent book is The Everyday Life of Memorials, which explores memorials’ relationship to the pulses of daily life, their meaning within this quotidian context, and their place within the development of modern cities. 


Intro: “The Statue Got Me High,” by They Might Be Giants 


Discussed: 


“There is nothing in this world as invisible as a monument.” – Robert Musil 


The Vietnam Veterans Memorial, Washington DC, Maya Lin 


Dwight D. Eisenhower Memorial, Washington DC, Frank Gehry 


National World War II Memorial, Washington DC, 


Memorial to the Murdered Jews of Europe, Berlin, Peter Eisenman 


Monument vs monumental vs memorial 


The Bastille, Paris 


Mariana Griswold van Rensselaer 


National September 11 Memorial & Museum, New York City, Michael Arad 


New Yorker cover, “Memorial Plaza,” 7-14 July 2014, Adrian Tomine 


Green-Wood Cemetery, Brooklyn 


“Death, Grief and Mourning in Contemporary Britain,” – Geoffrey Gorer, 1965 


Sedlec Ossuary, Kutna Hora, Czech Republic 


The Hour of Our Death” – Philippe Ariès, 1977 


Père Lachaise Cemetery, Paris 


Brooklyn Strand, repurposing the Brooklyn War Memorial as a conduit to New York City’s park system 


Hyde Park Corner, London 


Monuments that “switch on” only when they’re blown up or taken down




Marian Columns 


Georgia Guidestones 


Robert E. Lee Monument, Richmond 


White contractors wouldn’t remove Confederate statues. So a Black man did it. 


“Kickstarter urbanism” and the crowd-funded monument 


Denkmalkritik 


“The Great War and Modern Memory” – Paul Fussell 


The Grove, Los Angeles 


Texas State Capital Grounds, Austin 


Outro: “Monuments for a Dead Century,” by The Boo Radleys